Until the end of April, a rented downtown space holds a month-long exhibition hosted by a gallery of no fixed address. Called Douz and Mille, the gallery exists, in a manner of speaking, online and in the rented booths of the global art fairs. Its only permanent home is an Internet site.

With “Tomás Rivas: Left to My Own Devices,” gallery owner Rody Douzoglou (hence the “Douz”) has made a rare effort to mount an exhibition that runs the length of most traditional shows — in this case, the month of April — and holds regular public open hours. (”Mille” derives from the last name of a former partner.)

Read full article (Washington Post, April 14, 2007