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Thomas Struth’s show at Marian Goodman — rapturous, magisterial photographs of museum visitors standing before Velázquez in Madrid and looking at Leonardo at the Hermitage in St. Petersburg — culminates one of the memorable art projects of the last 20 years or so. For nearly that long, Mr. Struth has been making these pictures of people in museums. They’re looking at art, although you might say the real question is what they, and we, are seeing.

Read full article (New York Times, April 10, 2007)

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